Beyond The Photograph

Works from the doctoral research GSA 2015-2019

I interrogate a specific power of family photographs.

I devised an excavation strategy. The collaborative and performative fine art photography research practice, enabled me to took up an emotionally proximal position to the participating storytellers, from which I detect, elevate and embed content into the critical discourse.

I hypothesise that family photographs can point beyond themselves. That beyond their visual representational surface they hold silenced, private content that can’t assimilate to official archives. Such content offsets the ideologically determined collective discourse; if excavated act as counter-memory and archive. I triangulate between fields of fine art, humanities and social sciences with methodologies of photography theory, archiving, autoethnography, oral history and philosophy. Through the theoretical and methodological foundations set by Marianne Hirsch, Annette Kuhn and Martha Langford,

The research output is a unique drawer system – that encompasses the written critical and the visual component of the research journey such as photobooks, visualisation maps and participatory objects.

Whereabouts You Are, Glasgow: Reid Gallery, 2016

Beyond the Photograph, Glasgow: Garage Space, 2019

The 3 copies of the doctoral submission
Each drawer repesents a stage in the research journey
The bound written submission – Drawer 1
Close up of the cover with laser etched pattern
The laser etched pattern a visualusation of how collective and private memory correlates
The eraser ball I created in memory of my father
The experimentation on varius serfuces led to the EraserWorks project 2016
The Winter Garden Photograph 2017 is a by product of EraserWorks

EraserWorks exhibitied at Reid Gallery, 2017

Further works “tools” exhibited at Reid Gallerty, 2017
Their Happy Days in Hell 2016, exhibited in Reid Gallery 2017
Drawer 4 History revealing the map “Parallel Stories” 2017
Detail from the Dialogical Maquette 2018
The Albums on display at Garage Space, 2019
FrameWorks 2016
Drawing Around Silence 2016, scanned residue on masking tape 40×40 cm