Biró, E,. ‘Beyond the Photograph: The Phenomenon of Confabulation in Family Photographs – Counter-Memory and Narrative From the Silenced Shadow Archives’. in Handbook of Research on the Relationship Between Autobiographical Memory and Photography. 2024 (London: IGI Global: 2023) pp 389-416)
Biró, E,. Locating Legacy Locating Practice (Nicky Bird – Legacy) . Review. Glasgow:The Drouth. May 2021
Biró, E. Liz Orton: Every Body is an Archive. Notes: Letters to Photography, Issue no 8, Spring-Summer. Glasgow: 2021) ISSN 2515284X. Biró, E., 2020. Photobook Conversations 2: Editing takes time. in Gellér J. (Int.), Fotóművészet (Art Photo), vol 63. Issue 2. pp. 86-93ISSN 978-963-911-559-0.
Biró, E., 2020. Photobook Conversations 2: Editing takes time. in Gellér J. (Int.), Fotóművészet (Art Photo), vol 63. Issue 2. ISSN 978-963-911-559-0.
Biró, E., 2020. Performativity and Emotions, a forming new methodology: Annette Kuhn, Marianne Hirsch, Emiko McAllister, and Martha Langford, in: Female Photographers. Hungarian Historical Society of Photography, Budapest.
Biró, E., 2020. Chasing Flusser: Chasing Subjectivity. Flusser Studies vol. 29. ISSN 1661-5719.
Biró, E. 2019. Thinking is my practice. Barta E. (Int.), Punkt.hu. House of Photography, Budapest.
Biró, E., 2019. Beyond the Photograph: the phenomenon of confabulation in family photography, as counter-memory, narrative and archive. thesis. Glasgow School of Art, Glasgow.
Biró, E., 2017. Sarah Amy Fishlock’s Beloved Curve. Notes: Letters to Photography vol 2, issue 3. 36–37 ISSN 2515284X.
Biró, E., 2016. The Tomorrow’s Archive, in: Curatorial Open Call. OFF Photography Festival, Bratislava.
Biró, E., 2015. Working with older women without families, in: Robertson, H. (Ed.), Caring Museum New Models of Engagement with Ageing. MuseumsETC, Edinburgh, pp. 44–59. ISBN: 978-1-907697-85-2 [paperback] | 978-1-907697-86-9 [hardback]
Biró, E., 2013. Confabulations On My Imaginary Family Album, in: Farnell, G. (Ed.), The Photograph and The Collection: Create, Preserve, Analyse, Present. MuseumsETC, Manchester, pp. 126–156. ISBN 978-1-907697-85-2 | 978-1-907697-86-9
Conferences
Biró, E. 2020 Fragmented Storytelling as a Qualitative Research Method. in. Storytelling Conference. University of Suffolk, Suffolk. July 2023.
Biró, E. 2020. Storytelling as Qualitative Research. Panel discussion. Storytelling Conference. University of Suffolk, Suffolk. 2023.
Biró, E. 2020. Taxonomical Issues: the Esterházy – Ottlik artefact. in Panorama 2020. MTA, Budapest.
Biró, E. 2018. Erasing as acts of Grief-work: comparative analysis, Barthes, Bartis Calvino. in Photography and Literature. House of Photography, Budapest.
Biró, E. 2017. Performativity and Emotion. Establishing a New Methodology to Reveal Photos: The encounter of Annette Kuhn, Marianne Hirsch, Emiko McAllister and Martha Langford. in Female Photographers. Hungarian Society for the History of Photography, National Museum, Budapest.
Biró, E. 2015. The invisible extension of the Photographic frame, confabulating the family photography collection, creating the practice-led research project titled Fragments. in Material Culture in Action. Glasgow School of Art, CCA, Glasgow.
Biró, E. 2013-2014 New Narrative for Europe. European Commission, Berlin, Brussels, Milan and Venice.
Eszter Biró 